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Diego Velazquez
Baptism of Christ (df01)
1667
Huesca,Museo de Bellas Artes
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Diego Velazquez
Vocation of St Matthew (detail) (df01)
Juan de Pareja
1661
Madrid,Museo del Prado
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Diego Velazquez
Agustin Moreto (df01)
Juan de Pareja
Madrid,Museo Lazaro Galdiano
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Diego Velazquez
Camillo Massimi (detail) (df01)
1650
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Diego Velazquez
Cardinal Astalli (Pamphili) (detail) (df01)
1650-1651
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Diego Velazquez
So-called Barber to the Pope (detail) (df01)
1650
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Diego Velazquez
No VII of Eight Studies for a Portrait (df01)
1953
New York,The Museum of Modern Art
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Diego Velazquez
Innocent X (detail) (df01)
1650
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Diego Velazquez
The Family of the Artist (df01)
Juan Bautista Martinez del Mazo
c 1660 -1665
Vienna,Kunsthistorisches Museum
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Diego Velazquez
Infanta Margarita (df01)
Unfinished work,completed by Juan Bautista Martinez del Mazo
c 1660
Madrid,Museo del Prado
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Diego Velazquez
Queen Mariana (df01)
c 1656-1657
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Diego Velazquez
Infanta Maria Teresa (df01)
1652-1633
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Diego Velazquez
Infanta Margarita (df01)
1653
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Diego Velazquez
Queen Mariana (df01)
1652-1653
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Diego Velazquez
Queen Mariana (df01)
c 1655-1656
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Diego Velazquez
Infanta Margarita (df01)
c 1656
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Diego Velazquez
Philip IV (detail) (df01)
1652-1655
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Diego Velazquez
Jan Arnolfini and his Wife,Jeanne Cenami (df01)
Jan Van Eyck
1434
London,The National Gallery
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Diego Velazquez
Allegorical Portrait of Philip IV (df01)
c 1645
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Diego Velazquez
Las Meninas (after Velazquez,detail) (df01)
pablo Picasso
1957
Barcelona,Museu Picasso
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| Diego Velazquez
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Spanish Baroque Era Painter, 1599-1660
Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet
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